The Incredible Shrinking Groony (Diamoverse comic)

So a while ago I did a bit of a project, a experiment and proof of concept for a potential series of books I might still do, but at this point is definitely a ways off and a shelved project.

This series being a series of mini books inspired by the marvel mini books.

For those who are unaware, during the 60s Marvel had a set of 6 mini books made, these mini books were made as small novelties for capsule Dispensers, you know, the ones that you would get those cheap rubber ninjas or other cheap toys from.

And while I grew up with those cheap toys back in the day you could get a whole ass book from them, granted nothing substantial, usually it being a joke book or the like, but these things were still 20 or so pages long and included illustrations, yet they were incredibly small, around the same size as a penny.

Now Marvel's Mini Books were a unique line of these books, telling stories staring marvel characters that were popular back then, ranging from Spiderman to Millie the Model and came in all sorts of different colors, a real nice and unique collectible for kids back then and obsessive nerds now (including yours truly).

Marvel even did a reprint boxset of these books in a larger easier to read size, which I have yet to get, I also have yet to get an example of the original mini books, but some day I plan to aquire both, I mean if I can get the marvel toilet paper comic I can get these

Anyways, so what does all this have to do with my project, well, a few months ago I was playing around with the idea of doing a similar mini comic thing with my characters and public domain tales, making mini comics/storybooks to sell in capsule machines.

So getting excited by this new idea, and the prospect of experimenting with a new format I decided to make my own proof of concept prototype for this mini comics/storybook collection of mine.

This line I'd end up calling the Lilli-Library, Lilli standing for Lilliputian, like The small people from Gulliver's Travels (One of my favorite classic stories), and for this proof of concept I made A new Groony story, the Incredible Shrinking Groony, the prototype pictured below beside a US quarter for scale

Ultimately I decided to shelf the Lilli-Library for now, but I do plan on revisiting it one day, although I don't want to vault this Groony story till I do revisit this particular idea, so here it is, in its entirety via a google drive link in pdf form, so if your interested in the story of the "Incredible Shrinking Groony" you can check it out. 

I'll also uploaded copies to other social media sites, linked below.

Instagram

Newgrounds

Also fun fact about how this little comic was made, I basically did the old "folded zine" technique twice, cut 3 extra pieces of paper to the same size and then cut out a bit from the cover of one of my hard stock comic drawing paper pads for the cover of this prototype to give it A nice semi hard cover feel and unique texture.

Anyways I hope you enjoy my offering and stay tuned to this here blog

Atto the Artificial Man: The Birth Of A Hero (comic script)

 

(Authors note: here's a script I wrote a while ago that I really want to have made into a proper comic at some point, probably a part of an anthology taking place in the Diamoverse of my canon of work, already have a name for this anthology, MULTI-TEAM COMICS, named after the primary superhero team in the Diamoverse, at some point I'll either have the drawing ability to do it myself, have the money to hire artist or do it as a collaborative project with my friends, or maybe even some mix of the 3, anyways, here's the script, hope you enjoy)

Pg1

Panel1: skinny rectangular panel at the top of the page.

Action: we see Atto running through a wall at a criminal.

Title: Atto the artificial man in, the creation of atto.

Panel2: somewhat large vertical rectangle panel right below the first panel on the left side of the page.

Action: we see a scientist sitting in a dark room with other figures that are masked in shadow.

Scientist: welcome gentleman, as you may or may not be aware I've been researching and developing a fantastic new technology that is set to change the world, but you probably don't know the specifics of my scientific work as I have specifically kept this information out of the papers.

Panel3: somewhat large vertical rectangle panel right below the first panel on the middle of the page.

Action: the scientist stands up and begins to walk to a curtain.

Scientist: you see my dear friends, years ago on an expedition to an ancient Temple in the far east, I found an anomalous and strange stone that exuded a power beyond a person's wildest imagination.

Panel4: somewhat large vertical rectangle panel right below the first panel on the right side of the page.

Action: the scientist is at the curtain and pulls at it slowly revealing the window behind it.

Scientist: I brought the stone back to the States, I began doing studies on it and realized, it was the perfect power source for a project that I had dreamed of since I was a young boy and learned of the made men of myth.

Panel5: large horizontal rectangular panel at the very bottom of the page taking up a good portion of it.

Action: we see the man has fully removed the curtain from the window and behind the window stands a man that is clearly not human with palish blue skin.

Scientist: behold my Adam, Atto the artificial man.

Pg2

Panel1: large rectangle panel at the top of the page.

Action: we see the man behind the glass as he looks around as the scientist stands in front of the glass.

Scientist: I made him to be more than just an ordinary man as well,

Panel2: small square panel under previous panel on left side

Scientist: just watch.

Action: the scientists press a button.

Panel3: small rectangular panel under previous panel taking up the middle and right of the page.

Action: a hatch opens on the side of the room, out of it rolling a table with a steel bar right in front of Atto.

Scientist: watch what my artificial man can do to a steel bar.

Panel4-6: small square panels going from left to right

Action: we see the artificial man as he picks up the bar and begins to bend it with ease into a pretzel.

Panel7: medium sized rectangular panel at the bottom .

Action: we see from the perspective of the crowd there silhouettes seen as they react emotively to what they see in the spotlight, that of course being the scientist and atto behind the glass.

Crowd: incredible, amazing, astonishing. 

Scientist: yes but I intended for him to be that strong, now look at what I didn't intend.

Pg3

Panel1: small square panel of the scientist's face.

Scientist: Atto I want you to bring me a genuine Arctic penguin.

Panel2-4: two small square panels starting from the middle of the top right of the page going to the right of the page, then In the middle of the page a largish rectangular panel.

Action: Atto appears to disappear and then immediately reappears with a close up on him and his smiling doofy expression with a penguin squawking in his arms.

Crowd: impossible, how'd he do that, the thing can teleport.

Panel5: small square again with the scientist.

Scientist: not teleport my good man, but move at such incredible speeds that appears to rival even the likes of Mercury, now watch this, Atto, bring me the penguin.

Panel6-8 same pattern as before with two small square panels starting from the middle going to the right and ending on a large rectangular panel at the bottom of the page.

Action: atto begins to walk towards the glass as his body begins moving and vibrating into a blur of green and orange and smeared details The birds still in his hands with this final panel showing him from the front super close to the glass seemingly about to break through it.

crowd: oh my Lord, he's coming right toward us, he's a walking explosion.

Pg4

Panel1-4: 3 normal small square panels and then a final rectangular panel with the penguin.

Action: we see as almost by magic the artificial man walks straight through the glass and wall as if nothing was there at all not even breaking anything, then presenting the squawking penguin to his creator.

Crowd: how, impossible, he's a ghost.

Scientist: no gentleman I assure you he is not a ghost.

Panel5-6: medium sized rectangles.

Action: we see the scientist walking over and grabbing the penguin as he talks.

Scientist: But instead it appears that the ancient power source I had used on my mechanical man has allowed him to move not just his entire body at impossible speeds but move his very atomic structure In such a way that he could walk through walls.

Panel7: medium rectangle on the left side of the page.

Action: we see a close up of the scientist as he holds the penguin under his right arm.

Scientist: possibly even allowing him to physically change his form whether that be in appearance.

Panel8: medium rectangle on the right side of the page.

Action: we now are looking at the audience with one shadey member of the crowd perking up at the mention of the precious metal.

Scientist: such as stretching his limbs or even potentially reconstructing his very atoms into that of lead or gold.

Panel9: a rectangle taking up the rest of the page.

Action: we see from the crowd again as they look at the spotlight but this time they are all giddy and clapping.

Crowd: truly awe inspiring, I still can't believe it and it's standing in front of me, doctor doctor, what do you plan on doing with your man-made man.

Panel10: small square panels in the right corner of the page covering some of the 9th panel.

Action: we see a close up on the scientist's head.

Scientist: well.

Pg5

Panel1-7: the upper left corner panel is a circle with the scientist's head but the rest are rectangular in a grid pattern, with the majority being vertical and rectangular with the final large panel being horizontal.

Action: panel 1 with scientists's head.

Scientist: with the recent uptick in crime, the looming horseman of war.

Action: panel 2 we see a skeleton in a cape, hat and Domino mask with whited out eyes looking head on at the camera.

Scientist: and the recent rise of the mystery man and super powered vigilante.

Action: panel 3 we see the scientist face again but from a different angle, clearly he's serious.

Scientist: I feel it is my duty to make sure that my mechanical creation.

Action panel 4 and another shot of the scientist this time looking at the reader. 

Scientist: nigh my mechanical son be a symbol of heroic values and protect those who cannot protect themselves.

Action: panel 5 we see a side view of a line up of various different shadowed out heroes including a guy who looks like a blue version of the flame, a woman in a spandex suit with a clear blindfold on and the previously mentioned skeleton guy in front.

Scientist: so I have decided to allow Atto to join the ever growing ranks of super americans fighting the good fight and protecting the freedoms of our great countries people.

Action: panel 6 we see over atto's shoulder as the doctor reads to him from a book of American history.

Scientist: and I have taught my mechanical son those great American values and have trained him to use his powers to the best of my ability.

Action: penel 7 we see the scientist again as he stands center in the spotlight, a full view from the front as atto stands to the side, his upper half being unilluminated by the spotlight.

Scientist: and he will begin his fight against corruption and villainy soon, very soon.

Pg6

Panel1: a medium sized rectangular panel taking up the upper left and upper middle of the page.

Caption: more than a few moments after the conference concludes our good doctor and his mechanical man are met by an unwanted surprise.

Action: we see the old doctor being accompanied by his robot as he is walking but a knock is heard.

Panel2: square taking up the right corner of the page.

Action: we see a close up on the scientist with Atto in the background looking back at the scientist, the scientist on the left side, atto on the right.

Scientist: Atto, I'll go grab the door and see who's there, probably another reporter who missed the conference wanting a private scoop, can you prepare me my tea.

Atto: right away pops.

Panel3-5: two medium sized squares on either side of the page and a big rectangle at the bottom, so big that the third and fourth panel are over the 5th.

Action: We see the scientist crack open the door with a close up on his face in the first two panels with the first panel showing an expression of annoyance and the next one of horror with the final panel showing him being pushed backwards as a group of mobsters barge their way in.

Scientist: I told several of you already there is no private scoop, you're too late.

Mobster: we are never late doc.

Pg7

Panel1: square in the upper left hand corner.

Action: one mobster pistol whips the doctor to the floor.

Panel2: a rectangle taking up the right and middle of the top of the page.

Action: We see the mobster towering over the frail old scientist.

Mobster: alright Mr science, here's what ya gonna do see, you're gonna give us that mechanical monstrosity and make him turn into gold, or you'll be eating a dinner o lead with the fishes.

Panel3: rectangle panel in the middle of the page.

Action: we see the scientist angry wiping blood from his mouth while in the foreground we see the silhouette of the mobster standing over him.

Scientist: I will not buckle my morals to some poorly dressed racketeers and their miniscule muscles.

Panel4: square panel.

Mobster: why I'll show you.

Action: The mobster shoots his gun at the doctor with a bang.

Panel5: square panel.

Action: a blur of color is seen emerging from seemingly nowhere and appearing in between the doctor and the mobster.

Panel6: square panel.

Action: and to the shock and surprise of the mobster the man he just tried to shoot is not hurt in any way.

Mobster: what the.

Panel7: thin rectangular panel.

Action: the mobsters eyes as they look irritated and atto stands behind and to the side from him holding a bullet inspecting it.

Atto: discharging a weapon at an elderly man for some vain attempt of monetary gain through a sentient miracle of science, clearly you have egos the size of Texas, that or you have brains the size of atoms.

Pg8

Panel1: rectangular panel.

Action: clearly insulted by what the artificial man is saying, the head mobster turns around pointing his gun at the robot.

Mobster: all right then Mr wise guy, rattle him boys.

Panel2: another rectangle but thicker than the last one.

Action: The two other mobsters point their tommy guns at atto who stands in the middle between both of them and the head mobster and they all begin shooting.

Panel3: large square bottom left.

Action: moving in a blur Atto is able to grab every single bullet out of the air making after projections of his arms as he goes and seemingly makes the bullets disappear.

Panel4: large square bottom right.

Action: the mobsters seeing this are shocked and frightened.

Mobster: alright boys, clearly this isn't our day, let's scram.

Pg9

Panel1-4: three square panels at the top and a rectangle underneath.

Action: The mobsters try running away but fall and after looking at their feet discover with shock and horror that their shoes are now solid lead blocks around their feet.

Mobster: cripes, how is this possible?

Panel5-7: square panels.

Action: we see atto's head in a caption box on the top of the first panel showing from a different angle atto grabbing the bullets as he's shot at, then the next panel shows him with one bullet walking over to the head mobster, then we see atto mold the bullet like clay onto the mobsters shoed foot.

Atto: while you were shooting at me so recklessly, I grabbed every bullet you guys shot and without you even noticing it, i began forming each bullet you shot at me into shoes of lead around your feet, how? well by using my incredible abilities of speed and power over matter of course.

Panel8: big bottom rectangle with a caption box on the bottom right hand side.

Action: we see atto standing in the typical hero pose, hands on his hips as his scientist father and creator congratulates him.

Scientist: You did good my son, this was truly a remarkable test of your incredible abilities and wit, I'll call the police to take care of these ruffians.

Caption: and triumphantly the day is saved by the artificial man ATTO, but where will our young hero go next, what's his next step as America's newest man of mystery and super powered hero, come back in the next issue of MULTI-TEAM COMICS to find out.

Here's a sketch I made of how I imagine
Atto looking like, I used two golden age
Comics to trace over to create this
Specifically a depiction of the hero
Cyclone from issue #2 of whirlwind comics
And The lower half is from a story
Involving the hero blackout, I don't know
What issue this one comes from do to
How I archived it but he appears in 
The Holyoke comics line Catman Comics
All of which can be found on comic book
Plus, also his design is a mix of the
Two mentioned superheroes plus some
Inspiration from Volton, the wizard of speed
And time and even iron man

Atto the Artificial Man (character bio)

The world's fastest biomechanical being with the core of speed and time at his center, created by an adventurous scientist by the name of Fox Carmichael to fight crime and bust gangs and was eventually drafted as one of the first members in the Multi-Team during world War II.

Atto is an interesting case, being a robot you'd expect him to be rather humorless, constantly speaking about logic and such, and although that might be what you meet at the beginning you will quickly find out that that's an act to mess with people, with the real Atto being a lot more humorous and clever.

Always found with a smile on his face, Atto was created in the late 1930s by The adventurous doctor Fox Carmichael after a trip to a forgotten, beyond ancient Temple where he discovered a mysterious artifact of impossible power, the Core of Speed and Time.

Using this artifact he constructed a artificial body around it, a body not just of steel and aluminum, but also flesh grown with the doctor's own DNA, with Atto soon being born and shown to the world.

With his first demonstration being to a privately assembled group of fellow scientists and reporters who witnessed Atto's fantastic abilities of immense strength, speed and self molecular control.

Needless to say in the small middle American city he called home he would end up making quite the splash, busting crime and evil around every corner, soon catching the attention of the enigmatic hero The Skeleton, one of the big and first widely known mystery men, who would approach our metal speedster with a proposition, to be a part of a team of fantastic heroes like himself and fight the good fight overseas against the forces of evil.

Atto being the hero he was, was excited and giddy at the idea and already planning to accept the offer, especially since it was coming from such a legend as The Skeleton, and after discovering his new arch enemy, the evil wizard of time and speed, Speedstorr was allied with the Germans, Atto was more then willing to join.

Atto was soon fighting not only alongside his fellow Heroes such as Lady Justice, The Ice Cube the 2nd, John Joe Shootem the 3rd, Captain Electron, Tanko The Man Tank and of course The Skeleton but also the soldiers of the allied forces in some of the wars most important battles, most notably a clash at Normandy where Atto faced off against Speedstorr and his apprentice, Hans Blitzer nicknamed Blonde Streak by Atto, this conflict being were Atto unlocked the true power of the core of speed and time, but that is a story best saved to be told in the comics rather then explained here.

The sketch at the top I made of how I imagine Atto looking like, 

I used two golden age

Comics to trace over to create this

Specifically a depiction of the hero

Cyclone from issue #2 of whirlwind comics

And The lower half is from a story

Involving the hero blackout, I don't know

What issue this one comes from do to

How I archived it but he appears in 

The Holyoke comics line Catman Comics

All of which can be found on comic book

Plus, also his design is a mix of the

Two mentioned superheroes plus some

Inspiration from Volton, the wizard of speed And time and even iron man

 

Her Highness #1: Fearsome Fightin' Froggy's

 Note: This is a script for a comic I've had lying around for quite some time, and I'm posting it to See what people think of it, I still want to do this as a series and have plenty of ideas just a matter of finding the time, energy, inspiration and so on, I hope you enjoy 

Pg1 

Splash page

Setting: Elizabeth's living space and home base, it looks like an old Warehouse that has been retooled into an open studio style living space with various gadgets about, a workout space and boxing ring, as well as her wardrobe hung up all over the place.

Action: we see Elizabeth hiding behind a table looking prepared as a group of back lit shadowy figures approach her.

Caption: so there I am, in between a rock and assured doom by the hands of my greatest enemy, who am I you may ask, well I'm a lot of things, I'm beautiful, talented, gifted, gorgeous, kind and most definitely the world's greatest detective, although some may argue that last point, looking at you dad, none can argue that I haven't stopped evil more times than I can count and all while looking impeccably good. But look at me go, talking about who I am before I've even introduced myself, well my name is Elizabeth, but you may refer to me as.

Pg2

Splash page

Caption: HER HIGHNESS, The Fabulous femme fatale who's smart enough to figure out and foil any sinful scheme or putrid plot cooked up by her cavalcade of crooks and creeps.

Action: this page shows our heroine in her full glory, standing triumphant as she confronts the advancing villainous shadows.

Caption: and the vile villain I'm currently dealing with is none other than the dastardly doctor of masculine dominance, supremacy and manipulation.

Pg3

Splash page

Dr bangle: IT IS I DOCTOR BANGLE FURTER, and I have come with my battalion of frog men from under the sea to finally do away with you miss lowness and take over Fornia, and soon after the world, ridding it of the feminine virus once and for all.

Action: we see now the flamboyant doctor in all his glory from the front at a partial angle as his ugly mug Lear's towards the reader as he does a pose as if he saying "come at me", his arms stretched out and chest puffed out, legs in a stepping position as he stands atop a platform being carried by his frogmen.

Pg4

Panel1

Elizabeth: not if I have anything to say about it you sour sausage.

Action: we see Elizabeth, her finger pointing up at the doctor, the other hand held close to her chest balled up in a fist and standing proud.

Panel2

Furter: dear girl, I'm not sure you'll have the lung capacity to say anything soon.

Action: furter makes a face as if he's talking to a baby, lips puckered and eyes wide as he cocks his head and clasps his hands together and sets them on his cheek like he's looking at something precious.

Panel3

Furter: FROG GUARDS, SPEAR HERRRRRR… um, THROUGH THE LUNGS.

Action: furter is in a absolutely bombastic pose, pointing at Liz his face absolutely gleaming with malevolent Joy, flamboyantly intimidating.

Panel4

Action: the frogmen Begin their attack as two of the imposing and muscular figures with their spears dwarf the small shadowed out Elizabeth, her standing in a martial arts stance, clearly prepared for the man walls approaching her.

Pg5

Panel1

Action: the frogmen launch their attack trying to spear liz.

Panel2-3

Action: expertly she stands in-between the spear strikes having her arms crossed in a way that resembles how folks in coffins often have their arms crossed, she then unleashes two strong chops, breaking the spears as she does so, us seeing her after images, almost as if she's pulling something off from fist of the north star.

Panel4

Action: she then jumps on top of one of the frog men's heads and jumps off his head at the devilish doctor, leaving after images as she goes.

Pg6

Panel1

Action: how ever she flies through the dastardly doctor.

Panel2

Action: we see furter who's now very obviously a hologram looking over his shoulder menacingly.

Furter: oh my dear blunderer, did you really think I'd be dumb enough to come in person after last time.

Panel3

Action: we see Liz action pointing at the bad doctor.

Elizabeth: you fab fiend, where are you hiding.

Panel4

Action: we see the maniacal mug of the good doctor as his face seems to be monstrous and heavily shadowed.

Furter: like I'd tell you, you meddlesome Miss.

Panel5

Action: the doctor claps his hands together and seems to send the darkness away as he does a joyful but definitely manic expression.

Furter: instead, 

Panel6

Action: furter is now turning away from the camera off-handedly waving one of his hands goodbye to his adversary 

Furter: I'll leave you to deal with the rest of my boys here, toodaloo.

Panel7

Action: the doctors hologram dissipates and turns off.

Pg7

Panel1

Action: the frogmen Begin there second attack with a fierce REEEE as the group encircles and closes in on our hero as she stands in a action pose.

Panel2

Action: with a chop to the head, Liz dispatches one.

Panel3 

Action: with a punch to the gut she knocks down another.

Panel4

Action: 2 of the other bruts charge the comparatively minuscule hero.

Pg8

Panel1

Action: our hero stands in a wrestler or grappler's stance arms at the ready to grab her opponent.

Panel2

Action: she quickly puts one in a headlock and kicks the other.

Panel3

Action: she then tosses over the frog she has held, using his own weight and momentum against him.

Panel4

Elizabeth: sorry boys, but this isn't my first rodeo, or should I say TOADEO.

Action: she says this with a smirk.

Panel5

Elizabeth: hehehe.

Action: but as she gloats and snickers three more frogmen sneak up behind her starkly and in an intimidating shadow spears apparent.

Pg9

Panel1

Action: the frogmen Begin their attack quickly catching Her Highness off guard and are aiming their spears for her back, Elizabeth's head is half way turned seeing this and a expression of surprise is on her face.

Panel2

Action: she quickly turns around, puffs her chest out like superman.

Panel3 

Action: the spears break apart against her boobs.

Panel4

Action: the frog men are visibly shocked and confused as they look at there now broken Spears.

Panel5

Action: Liz responding smirks

Elizabeth: alright then, who's next to dance with the queen of this castle.

Pg10

Panel1

Action: the frogmen tackle Elizabeth to the ground.

Panel2

Action: a struggle ensues.

Panel3

Action: but as she struggles against the amphibian aggressors Liz notices something.

Panel4

Action: there's a small electronic device on the back of one of the frogman's necks.

Panel5

Action: quickly she gets a look of determination on her face.

Panel6

Action: with Herculean strength she tosses the frogmen off of her and breaks out of the tackle.

Pg11

Panel1 

Action: Elizabeth quickly the grabs small device on the frogman.

Panel2

Action: she rips it off with sparks flying out of it, the sparks following the ark of her arm as she rips it out. 

Panel3

Action: the frogman violently recoils back.

Panel4

Action: the frogman begins to violently spasm and shake on the floor.

Panel5

Action: quickly Liz does the same to the other frogmen and they fall.

Panel6

Action: the frogmen's bodies begin changing and morphing as they seizure on the floor.

Pg12

Panel1

Action: the frogmen lie still on the floor having shrunk and become less monstrous and rippling as Elizabeth stands prepared for anything.

Panel2

Action: slowly the frog men Begin getting up.

Panel3

Action: one of the frog men with a hand to his head and one eye closed clearly having some sort of headache as his face is contorted into a grimace.

Frodon: where are we? And who in the name of Poseidon are you.

Panel4

Action: we see Liz talking to the frog man from over her shoulder as she is more fixated on the thing she is holding.

Elizabeth: my name is Her Highness but friends call me liz,

Panel5

Action: we see Elizabeth's hand holding one of the devices that was on the frogman and we get a better look at the strange electronic with it's red light and chrome finish.

Elizabeth: so, it would appear that that garish goon had mind controlled you and your country men with these devices.

Panel6-8

Action: we see frodon slowly regaining his faculties with his pained grimace transforming into a righteous fury as the hand on his head lowers into a clenched fist of rage.

Frodon: mind controlled?, oh, that, that BASTARD.

Panel9

Action: Elizabeth has turned around to face the frogman and is sitting on a chair.

Elizabeth: Am I correct in my assumption and more importantly for this conversation to continue, who are you dear?

Pg13

Panel1

Action: we see the disembodied head of prince frodon over the first of these panels which shows a shot of the kingdom of Frellwater with a blueish green tint to it.

Frodon: I am prince Frodon of the kingdom of Frellwater, home of the amphibinoid empire,

Panel2

Action: we see the amphibinoids living peacefully in there under sea society

Frodon: for a time we had lived in peace from the surface dwellers and their chaos and wars, 

Panel3

Action: we see the same scene as before but now chaos has erupted and the bluish green tint is replaced with a orange one as robotic looking armored men are attacking the civilians and descending on the city, and yes, their armor has nipples

Frodon: but recently our peace had come to an end, 

Panel4

Action: we see the kingdom literally in the shadowed out form of Dr bangle furter as he maniacally smiles and looks at the defenseless Kingdom as havoc continues being wrecked with explosions and small black figures flying or swimming around it, in the bottom left corner we see another disembodied head of frodon and in the bottom right is Elizabeths.

Frodon: our home invaded by an overwhelming Force and my people enslaved, completely under his control

Elizabeth: that sounds horrific…

Pg14

Panel1-3

Action: we see the prince head held down clearly depressed and saddened and one hand at a time he begins to cradle his head out of shame and sadness as his fellow frogmen come to comfort him.

Frodon: of course the Royal family including me my brothers and my fathers fought against the imposing tyranny but, sigh, we failed, we failed our people, we failed our home and I failed everyone.

Panel4

Action: we are now looking over Frodon's shoulder at Elizabeth as she's perked up on her chair.

Elizabeth: Wait, your Fathers?

Panel5

Action: we see frodon looking back at Elizabeth and now we're looking at him from over Elizabeth's shoulder as his hand is turned over and palm exposed as he explains.

Frodon: yes, my species is, what do you surface dwellers call it, we're, Hermaphroditic?, I do hope I'm using the right word.

Pg15

Panel1

Action: we see Liz sitting legs crossed and with her hand on her jaw in the thinker position.

Elizabeth: So you can reproduce without females…, hmmm, well that answers why that homosexual horror enslaved you.

Panel2

Action: frodon as well as the other frog men are visibly confused.

Elizabeth: I reckon by his standards your probably the closest thing to perfection that he didn't create

Frodon: homosexual horror? What is homosexual?

Panel3

Action: Elizabeth stands up and strikes a pose.

Elizabeth: no time to sit here and explain, we gotta get going and find my colonizing combatant and stop his putrid plans for pilfering and power.

Panel4

Action: Elizabeth starts making her way to the door.

Elizabeth: come with me, will take my car.

Panel5-6

Action: Elizabeth stops and turns back around to the frogmen.

Elizabeth: but first.

Pg16

Panel1

Action: we see her saying this in a small close up panel in the upper left hand corner of the page.

Elizabeth: Do you gentlemen have any memories of when you were mind controlled and where my manicured menace is, also what kind of music do you enjoy?

Panel2

caption: later

Action: in the center big panel is a shot of her car, a tricked out Cadillac with all the fixings, like a flamboyant batmobile driving down a sunny 70s California street as the frog folk are in her passenger seats.

Frodon: and that's what I can remember.

Pg17

Panel1-4

Action: we see the chariot (Elizabeth's car) as Elizabeth is talking and driving all around the city streets doing incredible things like extending its Wheels to drive over cars without damaging them, bouncing over construction work and even speeding at almost impossible speeds.

Elizabeth: interesting, so he's set up in your royal palace, well from that I have a good idea where the melodramatic madman is, and potentially what he may be planning.

Pg18

Panel1

Action: the car quickly drifts and screeches to a halt as Elizabeth turns it to face a street heading into a dock at its end.

Panel2

Action: Elizabeth turns to her passengers as we are looking from the back of the car at her in front of her being the street that ends with a dock clearly visible.

Elizabeth: gentleman, make sure your buckled up and holding on tight, the trip is about to get really bumpy for a second or two.

Pg19

Panel1

Action: the car begins to reve in place as it burns out.

Panel2

Action: Prince Frodon clearly concerned with one finger raised and overall just posed in a reserved and definitively worried.

Frodon: mis highness, what are you doing.

Panel3

Action: we see Liz with both hands on the wheel and a clear bit of manic joy and energy behind her eyes as she's very clearly eyeing up the runway she has.

Elizabeth: adding a bit of flair darling, and you can call me liz.

Panel4-7

Action: quickly Elizabeth stops burning out having formed a huge pink smoke cloud around her car and quickly accelerates towards the docks out of a pink cloud and speedily then onto the docks without stopping.

Pg20

Panel1

Action: Full page spread of the chariot flying off the end of the dock, it soaring in the sky as frodon and co look shocked and Elizabeth seems relatively calm as they head for the water.

Elizabeth: YEEEE HAAAAAA.

Caption: have I lost my head, will our heroes survive a salty dip in the sea, will the devilish doctor archive his vicious victory, come back next time to find out in the next fab issue of HER HIGHNESS.

Note: Also just so I don't forget I did draw up some designs for the costumes of Liz and Furter which are right here although I would like to mention that I imagine Furter wearing a domino mask

At one point I was working with a friend to develop this idea further and eventually get it drawn, but do to life stuff we lost touch and at this point it would feel awkward to try and re connect as there was some drama with some people and im led to believe there was a rather large kerfuffle, and I rather not accidentally open up old wounds